{"id":244,"date":"2017-11-21T19:27:17","date_gmt":"2017-11-21T19:27:17","guid":{"rendered":"http:\/\/www.studiojezus.be\/?page_id=244"},"modified":"2025-12-11T09:17:53","modified_gmt":"2025-12-11T09:17:53","slug":"gear-2","status":"publish","type":"page","link":"https:\/\/www.studiojezus.be\/?page_id=244","title":{"rendered":"gear"},"content":{"rendered":"

CONSOLE
\n<\/strong>EMT M-100 16 channels
\n(late 70’s, mainly used for Musique Concrete and classical music in that era. Very high headroom, sweet eq’s )<\/p>\n

RECORDING<\/strong>
\nApple 12-core G5 with Protools 8, HD3, PCIe Accel (for tracking)
\n& Protools 2024.04 Native on MacbookPro (for mixing)
\n32 in\/32 out thru Lynx Aurora & Digidesign 96io converters
\nOtari 1\/2 inch 8-track (analog tape)<\/p>\n

MIXDOWN<\/strong>
\nTelefunken M15 1\/4-inch taperecorder (or just straight to Protools again…)<\/p>\n

MONITORING<\/strong>
\nQuested S8
\nFocal
\nAvantone
\nHeadphones are Beyers DT150 and DT100 mainly<\/p>\n

PREAMPS<\/strong>
\nTube-Tech MP1A (2x)
\nCAPI VP28 (2x)
\nCAPI VP26 (2x)
\nCAPI V312 (2x)
\nBAE original 70’s API’s (2x)
\nA-Designs Pacifica\u00a0\u00a0(2x)
\nSummit MPC 100A (pre-amp\/compressor\/limiter)
\nSummit TPA (2x)
\nChandler Germanium (1x)
\nFocusrite ISA (2x)
\nBlack Box Analog Design MM-1 (1x)
\nAKAI Roberts (4 -rather dirty, 60’s tube- channels)
\nTriton D2O (2x)
\nEMT console channels (6x)
\nSPL Goldmike (2x)
\nJoe Meek VC3 (1x)
\nREDDI and Radial DI’s<\/p>\n

DYNAMICS<\/strong>
\nRetro Sta-Level (vintage style vari-mu compressor)
\nCharter Oak SCL-1 (very transparent mastering limiter)
\nDrawmer 1969 (stereo)
\nADR Compex 2
\nLA Audio Classic Compressor (1178-style)
\nSPL Transient Designer 4
\nUrei 1176
\nUrei 7110
\nUrei LA-2A
\ndbx 904 (4)
\ndbx 118 (2)
\nKlark-Technik KT-76<\/p>\n

MICROPHONES<\/strong>
\n<\/strong><\/p>\n

LDC<\/strong>
\nNeumann U87 (\u00b01976)
\nFlea U48 (= boutique copy of the Neumann U48)
\nTelefunken AK47 (=tube)
\nOktava MK013m (\u00b01978, refurbished Russian tube mic)
\nNeumann KMS104
\nSony C38B
\nHayfeng SYT-2 (tube)<\/p>\n

SDC
\n<\/strong>Neumann KM84 (2)
\nNeumann KM54 (\u00b01954 – with new Schaal PSU for lower noisefloor)
\nNeumann KMS54
\nSony 535P
\nMBC-548 (2)
\nBeyer TG D58c (3)
\nSteffens SK-801
\nCalrec CC-51 cardioids (3)
\nCalrec CC-50 omni
\nSanken CU-32
\nSontronics DM-1S
\nAKG 451B<\/p>\n

dynamics<\/strong>
\nShure SM7
\nShure SM57
\nShure SM58 (8)
\nShure Bullit mic
\nShure 55SH
\nBeyer M88
\nBeyer M380 (2)
\nBeyer M61
\nBeyer M55 (2)
\nBeyer M700 (2)
\nElectro-Voice 660
\nElectro-Voice RE-20 (2)
\nBeyer M69 M
\nAKG D12
\nAKG D112
\nAKG D125 (2)
\nAKG D190
\nAKG D202 E1
\nAKG D310
\nAKG D330 BT
\nSennheiser MD421
\nSennheiser MD441 (3)
\nSennheiser U409<\/p>\n

ribbons<\/strong>
\nMelodium 42B
\nColes 4038
\nTelefunken RM5C
\nAEA R88 (stereo)
\nMelodium RM-6
\nLEM e305
\nBeyer M160 (3)
\nBeyer M500 (3)
\nNady RSM-2
\nReslo
\nOktava (2x)<\/p>\n

FX<\/strong>
\nOrban 111B Spring Reverb (2 channels)
\nTeaching Machines Wellspring (stereo)
\nThermionic Culture Vulture (distortion)
\nRoland RE-201 tape delay
\nWatkins Copy-cat
\nRoland Tape Space Echo RE-501
\nSansamp Classic
\nVermona DAF-1 Filter
\nLots of official plugins (Acustica, GoodHertz, SLyFi, Sonnox, Softube, Soundtoys, Boz, etc…)
\nLots of pedal fx
\nDynacord delay VRS-23
\nLive echo chamber (signal–>speaker–>corridor–>mic)
\nNo Auto-Tune<\/p>\n

EQ<\/strong>
\nSummit EQP 200B Pultec-style (tube)
\nLangevin EQP1-A Pultec-style EQ (transistor)
\nUrei 535 (stereo)
\nEMT console EQ (10)
\n4 x dbx 903
\nKrohn-Hite Bandpass filter (slighty distorted tube filter from 1939)<\/p>\n

SYNTHS\/KEYBOARDS
\n<\/strong>Wurlitzer 200A
\nHohner Cembalet (ca 1960 originally)
\nHohner pianet
\nMOOG Prodigy (with Kenton MIDI)
\nMOOG Matriarch
\nCrumar DP-50
\nSiel Cruise
\nJEN SX-2000
\nBuchla Command 208c
\nModular Synth : mainly Verbos (aka Buchla-like) + Make noise Maths etc…
\nRoland Juno-60 (with MIDI)
\nRoland SH-3a
\nVermona PerFourmer MKII
\nKorg MS-20 mini
\nKorg M500 (for when you can’t make up your mind whether to sound just like OMD or Beak>)
\nKorg Poly 800II
\nKorg Delta
\nKorg Minilogue
\nBehringer 2600 (Arp 2600 clone)
\nArturia Microbrute
\nAnton synth\/organ (sounds very Boards of Canada if necessary…)
\nCasiotone 701
\nCasio SK-1 (2, one is modded)
\nTeisco D-100
\nPhilicorda<\/p>\n

PIANO<\/strong>
\nUpright Baldwin (very white, very Elton John)
\nWeltmeister pianet<\/p>\n

HARPSICORD<\/strong>
\nHarpsicord Sperrhake<\/p>\n

DRUMS<\/strong>
\nPremier kit 1968 (20 inch BD)
\n1963 Sakae jazzy kit (20 inch BD)
\nlots of different snaredrums (several Ludwigs, Premier, Rogers, Star,…)
\n26 inch vintage De Prins BD with calfskin
\nlots and lots of semi-crappy ethnic percussion<\/p>\n

DRUMCOMPUTERS<\/strong>
\nDSI Tempest
\nSOMA Pulsar-23
\nMarsh (rare Russian 80s beast)
\nMFB Schlagzwerg
\nMFB-522 (808-style)
\nEKO 70’s rhythmbox<\/p>\n

AMPS<\/strong>
\nVOX AC-15 ( late 80’s)
\nFender Champ (clone, handmade)
\nRoland Jazz Chorus 120
\n60’s Davoli guitar amp
\nEpiphone 5W
\nSolton tube amp 60VT
\nAguilar DB-680 bass preamp (considered by many to best the best bass preamp ever made)<\/p>\n

GUITARS<\/strong>
\nMartin D-12 acoustic
\nYamaha and Framus acoustic 12-strings
\n+ Electric 6-strings : Fender, Framus, H\u00f6fner, Danelectro, Epiphone, …<\/p>\n

BASS<\/strong>
\nFender Jazz Bass ’92 (USA)
\nVox bass (shortscale, flatwounds, very ‘Melody Nelson’ sound)
\nCustom Fender Jazz with flatwounds
\nHofner 500\/1 violin bass (ca 1968)
\nEko acoustic 60’s bass
\nBeatlebass clone, shortscale
\nFramus shortscale<\/p>\n

COFFEE
\n<\/strong>Isomac Venus espresso\/cappuccino machine
\n(If the recording sucks, at least the coffee’s excellent…)<\/p>\n","protected":false},"excerpt":{"rendered":"

CONSOLE EMT M-100 16 channels (late 70’s, mainly used for Musique Concrete and classical music in that era. Very high headroom, sweet eq’s ) RECORDING Apple 12-core G5 with Protools 8, HD3, PCIe Accel (for tracking) & Protools 2024.04 Native on MacbookPro (for mixing) 32 in\/32 out thru Lynx Aurora & Digidesign 96io converters Otari […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-244","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/pages\/244","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=244"}],"version-history":[{"count":32,"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/pages\/244\/revisions"}],"predecessor-version":[{"id":525,"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=\/wp\/v2\/pages\/244\/revisions\/525"}],"wp:attachment":[{"href":"https:\/\/www.studiojezus.be\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=244"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}